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<title>Rolling Stone Movie Reviews</title>
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<description>The final word on all the movies everyone's talking about,
straight from the editors of Rolling Stone.</description>
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<copyright>&#xA9; Copyright 2008 Rolling Stone</copyright>
<pubDate>Sun, 12 Oct 2008 01:55:53 PDT</pubDate>
<lastBuildDate>Sun, 12 Oct 2008 01:55:53 PDT</lastBuildDate>
<item>
<title>Miracle at St. Anna</title>
<guid>http://www.rollingstone.com/reviews/movie/18295338/review/23290330/miracle_at_st_anna</guid>
<link>http://www.rollingstone.com/reviews/movie/18295338/review/23290330/miracle_at_st_anna?source=movie_reviews_rssfeed</link>
<pubDate>Fri, 26 Sep 2008 11:57:21 PDT</pubDate>
<description>
<![CDATA[
Starring:
Omar Benson Miller, Michael Ealy, Derek Luke, Laz Alonso
Review:
Critics are raining down hard on Spike Lee's first war epic. And
it's not like I don't have objections. Miracle at St. Anna
is too long, lazily constructed, and crammed with too many
characters and subplots for any director to develop fully outside
of an HBO miniseries. But Lee isn't any director. He's an
African-American maverick with a legit gripe against the white face
that Hollywood puts on war. The first scene in Miracle
shows us a black World War II veteran watching John Wayne on TV
lording it over the D-Day invasion in The Longest Day. "We
fought that war too," says the vet. Point taken.
It's no surprise that Lee decided to make a film of James
McBride's well-received novel about the Buffalo Soldiers, black GIs
segregated from the regular Army, who served with the 92nd
Infantry...
Rating:
2 Stars
]]>
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<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/18295338/review/23290330/miracle_at_st_anna?source=movie_reviews_rssfeed">
<img height="140" alt="Touchstone Pictures' 'Miracle at St. Anna' Photo" width="90" src="http://i.realone.com/assets/rn/img/4/0/9/4/21454904-21454908-large.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Omar Benson Miller, Michael Ealy, Derek Luke, Laz Alonso<br>
<b>Review: </b><br>
Critics are raining down hard on Spike Lee's first war epic. And
it's not like I don't have objections. Miracle at St. Anna
is too long, lazily constructed, and crammed with too many
characters and subplots for any director to develop fully outside
of an HBO miniseries. But Lee isn't any director. He's an
African-American maverick with a legit gripe against the white face
that Hollywood puts on war. The first scene in Miracle
shows us a black World War II veteran watching John Wayne on TV
lording it over the D-Day invasion in The Longest Day. "We
fought that war too," says the vet. Point taken.
It's no surprise that Lee decided to make a film of James
McBride's well-received novel about the Buffalo Soldiers, black GIs
segregated from the regular Army, who served with the 92nd
Infantry...
<br/>
<b> Rating: </b>2 Stars
</td>
</tr>
</table>
]]>
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<item>
<title>Eagle Eye</title>
<guid>http://www.rollingstone.com/reviews/movie/19469996/review/23290290/eagle_eye</guid>
<link>http://www.rollingstone.com/reviews/movie/19469996/review/23290290/eagle_eye?source=movie_reviews_rssfeed</link>
<pubDate>Fri, 26 Sep 2008 11:54:34 PDT</pubDate>
<description>
<![CDATA[
Starring:
Shia LaBeouf, Michelle Monaghan
Review:
Questions: Did everyone involved in this botched thriller OD on
speed? Does jimmy-legs director D.J. Caruso think if he slowed down
the action we'd figure out how stupid the plot is? Did Shia LaBeouf
and Michelle Monaghan think there was any acting involved in
playing characters on the run from a computer intent on global
domination? Are BlackBerrys and iPhones the enemy because they make
us easy for the computer to track? Can the computer make me forget
this movie?
Rating:
1.5 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/19469996/review/23290290/eagle_eye?source=movie_reviews_rssfeed">
<img height="140" alt="DreamWorks' 'Eagle Eye' Photo" width="90" src="http://i.realone.com/assets/rn/img/4/1/3/2/21542314-21542318-large.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Shia LaBeouf, Michelle Monaghan<br>
<b>Review: </b><br>
Questions: Did everyone involved in this botched thriller OD on
speed? Does jimmy-legs director D.J. Caruso think if he slowed down
the action we'd figure out how stupid the plot is? Did Shia LaBeouf
and Michelle Monaghan think there was any acting involved in
playing characters on the run from a computer intent on global
domination? Are BlackBerrys and iPhones the enemy because they make
us easy for the computer to track? Can the computer make me forget
this movie?
<br/>
<b> Rating: </b>1 Stars
</td>
</tr>
</table>
]]>
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</item>
<item>
<title>Flash of Genius</title>
<guid>http://www.rollingstone.com/reviews/movie/20192669/review/23356409/flash_of_genius</guid>
<link>http://www.rollingstone.com/reviews/movie/20192669/review/23356409/flash_of_genius?source=movie_reviews_rssfeed</link>
<pubDate>Thu, 02 Oct 2008 10:19:41 PDT</pubDate>
<description>
<![CDATA[
Starring:
Greg Kinnear
Review:
For a while, it looked like Greg Kinnear showed his acting chops
best with supporting roles in the likes of As Good as It
Gets, Little Miss Sunshine and the current Ghost
Town. Well, hang on. Kinnear takes the star spot in Flash
of Genius and rides it to glory. He plays Robert Kearns, the
Detroit professor, inventor and father of six who came up with the
idea for the intermittent windshield wiper during the 1960s. Go
ahead, groan. I felt the same way. A night reading patent law seems
more exciting. But Kinnear takes this true story &mdash; John
Seabrook's 1993 New Yorker article formed the basis of the
script, by Philip Railsback &mdash; and runs with it. Kearns had
his "flash of genius" when a champagne cork popped his eye on his
honeymoon with wife Phyllis (Lauren Graham). Why couldn't a...
Rating:
3 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/20192669/review/23356409/flash_of_genius?source=movie_reviews_rssfeed">
<img height="140" alt="Greg Kinnear in 'Flash of Genius' Photo" width="90" src="http://i.realone.com/assets/rn/img/3/6/1/4/23304163-23304172-large.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Greg Kinnear<br>
<b>Review: </b><br>
For a while, it looked like Greg Kinnear showed his acting chops
best with supporting roles in the likes of As Good as It
Gets, Little Miss Sunshine and the current Ghost
Town. Well, hang on. Kinnear takes the star spot in Flash
of Genius and rides it to glory. He plays Robert Kearns, the
Detroit professor, inventor and father of six who came up with the
idea for the intermittent windshield wiper during the 1960s. Go
ahead, groan. I felt the same way. A night reading patent law seems
more exciting. But Kinnear takes this true story &mdash; John
Seabrook's 1993 New Yorker article formed the basis of the
script, by Philip Railsback &mdash; and runs with it. Kearns had
his "flash of genius" when a champagne cork popped his eye on his
honeymoon with wife Phyllis (Lauren Graham). Why couldn't a...
<br/>
<b> Rating: </b>3 Stars
</td>
</tr>
</table>
]]>
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</item>
<item>
<title>Nick &amp; Norah's Infinite Playlist</title>
<guid>http://www.rollingstone.com/reviews/movie/18264868/review/23356408/nick__norahs_infinite_playlist</guid>
<link>http://www.rollingstone.com/reviews/movie/18264868/review/23356408/nick__norahs_infinite_playlist?source=movie_reviews_rssfeed</link>
<pubDate>Thu, 02 Oct 2008 10:16:56 PDT</pubDate>
<description>
<![CDATA[
Starring:
Michael Cera, Kat Dennings
Review:
"Slight" is too strong a word to apply to this teen spin on
Martin Scorsese's After Hours. Peter Sollett, a director
with indie cred thanks to his 2002 Raising Victor Vargas
debut, takes us on an odyssey into Manhattan's night world that
toddles when you ache for it to toot. The script, by Lorene
Scafaria, is Afterschool Special 101: Nick (Michael Cera),
an alt-rock bassist, makes mixtapes for mean girl Tris (Alexis
Dziena), who dumps him. After a gig with his two gay bandmates,
Nick meets and falls for Nora (Kat Dennings), who likes his tapes
and his yellow Yugo. They drive around the five boroughs looking
for her drunk girlfriend (a funny Ari Graynor) and the club where
Where's Fluffy are playing a secret concert. I'm yawning just
writing this. The compensations are Cera and Dennings,...
Rating:
2 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/18264868/review/23356408/nick__norahs_infinite_playlist?source=movie_reviews_rssfeed">
<img height="140" alt="Michael Cera and Kat Dennings in 'Nick and Norah's Infinite Playlist' Photo" width="90" src="http://i.realone.com/assets/rn/img/2/9/3/1/22491392-22491398-large.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Michael Cera, Kat Dennings<br>
<b>Review: </b><br>
"Slight" is too strong a word to apply to this teen spin on
Martin Scorsese's After Hours. Peter Sollett, a director
with indie cred thanks to his 2002 Raising Victor Vargas
debut, takes us on an odyssey into Manhattan's night world that
toddles when you ache for it to toot. The script, by Lorene
Scafaria, is Afterschool Special 101: Nick (Michael Cera),
an alt-rock bassist, makes mixtapes for mean girl Tris (Alexis
Dziena), who dumps him. After a gig with his two gay bandmates,
Nick meets and falls for Nora (Kat Dennings), who likes his tapes
and his yellow Yugo. They drive around the five boroughs looking
for her drunk girlfriend (a funny Ari Graynor) and the club where
Where's Fluffy are playing a secret concert. I'm yawning just
writing this. The compensations are Cera and Dennings,...
<br/>
<b> Rating: </b>2 Stars
</td>
</tr>
</table>
]]>
</content:encoded>
</item>
<item>
<title>Happy-Go-Lucky</title>
<guid>http://www.rollingstone.com/reviews/movie/18298108/review/23356406/happygolucky</guid>
<link>http://www.rollingstone.com/reviews/movie/18298108/review/23356406/happygolucky?source=movie_reviews_rssfeed</link>
<pubDate>Thu, 02 Oct 2008 10:13:09 PDT</pubDate>
<description>
<![CDATA[
Starring:
Sally Hawkins, Eddie Marsan
Review:
Get ready for Sally Hawkins, a dynamo of an actress who will
have her way with you in Happy-Go-Lucky, leaving you
enchanted, enraged to the point of madness and utterly dazzled. No
list of the year's best performances should be made without her.
You should know right off that this is a Mike Leigh movie. It's a
cheerier piece of business than you might expect from the British
provocateur behind Naked, Secrets &amp; Lies and
Vera Drake, but nonetheless a movie driven by character.
Leigh, brought up in a Jewish immigrant family, has been called a
poet of the working class. His scripts come out of improvisation,
from what the actors come up with during rehearsals.
More praise, then, to Hawkins, who put her heart into the
persistent smile and bruised soul of Poppy, a London
elementary-school...
Rating:
3.5 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/18298108/review/23356406/happygolucky?source=movie_reviews_rssfeed">
<img height="140" alt="'Happy-Go-Lucky' Photo" width="90" src="http://i.realone.com/assets/rn/img/4/4/6/1/23501644-23501648-large.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Sally Hawkins, Eddie Marsan<br>
<b>Review: </b><br>
Get ready for Sally Hawkins, a dynamo of an actress who will
have her way with you in Happy-Go-Lucky, leaving you
enchanted, enraged to the point of madness and utterly dazzled. No
list of the year's best performances should be made without her.
You should know right off that this is a Mike Leigh movie. It's a
cheerier piece of business than you might expect from the British
provocateur behind Naked, Secrets &amp; Lies and
Vera Drake, but nonetheless a movie driven by character.
Leigh, brought up in a Jewish immigrant family, has been called a
poet of the working class. His scripts come out of improvisation,
from what the actors come up with during rehearsals.
More praise, then, to Hawkins, who put her heart into the
persistent smile and bruised soul of Poppy, a London
elementary-school...
<br/>
<b> Rating: </b>3 Stars
</td>
</tr>
</table>
]]>
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</item>
<item>
<title>RocknRolla</title>
<guid>http://www.rollingstone.com/reviews/movie/18271341/review/23356379/rocknrolla</guid>
<link>http://www.rollingstone.com/reviews/movie/18271341/review/23356379/rocknrolla?source=movie_reviews_rssfeed</link>
<pubDate>Thu, 02 Oct 2008 10:08:18 PDT</pubDate>
<description>
<![CDATA[
Starring:
Gerard Butler, Thandie Newton
Review:
Great title for a gangster flick. Too bad that writer-director
Guy Ritchie only partially realizes the sizzling potential. The
movie has a good thing going in scrappy Gerard Butler, who trades
in his 300 swords and sandals to play One Two, a guppy
scam artist in London real estate hoping to learn from the great
white shark, Lenny Cole (the slumming but ever wonderful Tom
Wilkinson). All types of hoods enter the fray, with Thandie Newton
the sexiest as a crooked accountant, Mark Strong the most
intriguing as Lenny's wingman, Toby Kebbell the most dangerous as
Lenny's punk-junkie stepson, Nonso Anozie the most irresistible as
a whale-size hood who fancies fine art and Merchant Ivory films,
and Jeremy Piven and Chris "Ludacris" Bridges the most negligible
as rock promoters in a crammed cast...
Rating:
2.5 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/18271341/review/23356379/rocknrolla?source=movie_reviews_rssfeed">
<img height="140" alt="RocknRolla Poster Photo" width="90" src="http://i.realone.com/assets/rn/img/5/0/8/8/22068805.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Gerard Butler, Thandie Newton<br>
<b>Review: </b><br>
Great title for a gangster flick. Too bad that writer-director
Guy Ritchie only partially realizes the sizzling potential. The
movie has a good thing going in scrappy Gerard Butler, who trades
in his 300 swords and sandals to play One Two, a guppy
scam artist in London real estate hoping to learn from the great
white shark, Lenny Cole (the slumming but ever wonderful Tom
Wilkinson). All types of hoods enter the fray, with Thandie Newton
the sexiest as a crooked accountant, Mark Strong the most
intriguing as Lenny's wingman, Toby Kebbell the most dangerous as
Lenny's punk-junkie stepson, Nonso Anozie the most irresistible as
a whale-size hood who fancies fine art and Merchant Ivory films,
and Jeremy Piven and Chris "Ludacris" Bridges the most negligible
as rock promoters in a crammed cast...
<br/>
<b> Rating: </b>2 Stars
</td>
</tr>
</table>
]]>
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